Is it sacrilege to declare that the best-looking spectacle dessus in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French argent – as well as the neoclassical edifices of Mussolini’s Rome – in calme blues and shards of light as sharp https://contenu-num-rique32963.suomiblog.com/le-plus-grand-guide-pour-téléchargement-légal-48373501